Erotic harem art

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A harem may house a man's wife ā€” or wives and concubines, as in royal harems of the past ā€” their pre-pubescent male children, unmarried daughters, female domestic workers, and other unmarried female relatives. In former times some harems were guarded by eunuchs who were allowed inside. The structure of the harem and the extent of monogamy or polygamy has varied depending on the family's personalities, socio-economic status, and local customs.

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Description: Seller assumes all responsibility for this listing. Please enter up to 7 characters for the postcode Postage and packaging. Imbibe the regal essence of Mughal era with this quintessential Mughal miniature painting that embodies the intrinsic skill of detailed handwork.

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A chance reference in a book by 17 th century Italian traveller and writer that many women in the Mughal harem faked illness so that they could have an opportunity to meet and converse and perhaps dally with a male other than the husband or master kindled my curiosity. What exactly was a harem and what happened inside it! Voyeurism is nothing new and there has been a great deal of inquisitiveness as to the goings on in the royal harems but most could only fantasise in privacy.

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Switch to classic view. The West has had much to say in words and pictures about the harem in the nineteenth century but, until now, few records have been located about historical Ottoman women themselves. She demonstrates that the divide between western Orientalists and Ottomans in the field of nineteenth-century visual art was bridged, more open to historical contingency, and more engaged with micropolitical exertions of power and constructions of blended identity.

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Within the tradition of Orientalist paintings, the imagined harem was often represented in two modes: the domestic and the erotic. These two types of portrayals of the feminine Muslim space are partially rooted in the cultural discourse of the Near East, such as the Arabian Nightswhich was then expanded upon by eighteenth and nineteenth century Orientalists who also incorporated Western perceptions of the ideal woman and the environment in which she inhabited into their representations of the harem. The role of the ideal woman included a particular moral significance since she was believed to be the guardian of the private sphere and was crucial to creating domestic order.

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Or envision a society, within a household, which has a clear hierarchy of authority, with the mother of the current Sultan as the most powerful figure, wielding considerable power over not only other women, but also the younger males of the household. What these depictions share is the Orientalist view: the writers and artists are viewing an inferior Other, as will be discussed later. Let us first consider depictions in Orientalist art.

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The work is signed and datedwhen Ingres was around 82 years old. A photograph of its original state, taken by Charles Marvillesurvives. The painting is known for its subtle colourisation, especially the very pale skin of the women resting in the privacy of a bathing area. The figures are given an almost abstract and "slender and sinuous" form, [ citation needed ] and seem at times to lack skeleton.

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Extremely fine hand made art of paper. Company Information. We offer high quality lovely and exotic art and crafts from Jaipur-India which is renowned for its lavish artwork.

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